| © APET RADI ARWINDA SOLO EXHIBITION On Thursday; May 21st, 2009 AT 19.30 CURATED BY : Aminuddin TH Siregar Cathy Sharon GALERI CANNA Jl.Boulevad Barat Raya Blok LC 6 No. 33-34 Kelapa Gading-Jakarta Utara 14240 t.021 – 452 6439-30,021 – 4522536 f. 021- 453 4667 e. canna@cbn.net. www.galeri-canna. Exhibiton ends: Wednesday, June 3rd 2009 OPENING HOURS: MONDAY - FRIDAY 09.00 - 18.00 SATURDAY 10.00 - 17.00 SUNDAY 11.00 - 16.00
(C) APET RADI ARWINDA Solo Exhibition Meskipun refleksi kekaguman Radi pada Syunya Yamashita, Takashi Murakami dan Yoshitomo Nara muncul di dalam karya-karyanya secara apropriatif, tetap kita temukan celah di mana Radi hadir sebagai dirinya. Celah itu berupa maskot hewan kecil berbulu putih berwajah Radi – atau wujud mini Radi bermantel babi. Dan seperti juga kemunculan maskot yang diproduksi dan sekaligus menjadi brand ke-tiga seniman Jepang itu, Radi juga melakukan pola yang sama. Dia menamainya (maskotnya) APET. Kita akan melihat APET secara umum adalah sebuah brand Radi yang mengapropriasi pola-pola manufaktur khas Warholian.
(C) APET
Although Radi's admiration towards Syunya Yamashita, Takashi Murakami and Yoshitomo Nara are reflected in his work appropriative, we find a cleft where Radi stands as himself. This cleft is in the form of a small mascot in the form of a small furry animal with Radi's face – or a mini Radi with a pig's body. By placing this mascot, produced and also as a brand of the three Japanese artists, Radi also follows the same pattern. He named the mascot APET. We will see that APET generally is Radi's brand which appropriate Warholian' style manufacturing patterns. more info: www.galeri-canna. |
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Art & Culture Indonesia (ACI) peduli pada pengembangan seni budaya Nusantara warisan nenek moyang kita. Warna-warni dan keragaman seni budaya Indonesia adalah anugerah terindah yang kita miliki. Upaya menyeragamkan dan memonopoli kiprah seni budaya Indonesia dalam satu pemahaman harus kita tentang mati-matian hingga titik darah penghabisan.
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